Wednesday, June 24, 2026

MESSY PERFECT: A Journey of Identity, Courage, Belonging, and Self-Acceptance

This collage for “Messy Perfect by Tanya Boteju really brings Cassie Perera’s journey to life in a bold and colorful way. At the center, the title stands out big and strong, surrounded by a mix of handwritten words, sticky notes, and school-inspired images that reflect the reality of Catholic school, friendships, and figuring out who you are.

It has that “perfectly imperfect” feel—kind of organized, kind of messy—which fits Cassie’s internal struggle with perfectionism, identity, and learning to accept herself. You see themes like courage, faith, belonging, and self-discovery woven throughout in bright colors and expressive lettering, along with symbols like hearts, butterflies, stars, and school hallways.

Overall, it captures the heart of the story—being real, choosing yourself, and finding joy in who you are, even when it means stepping outside of what everyone else expects.

 


Tuesday, June 23, 2026

The Great Cool Ranch Dorito in the Sky: Brett's Journey Through Grief, Self-Acceptance, and Hope

 

The Great Cool Ranch Dorito in the Sky by Josh Galarza is a realistic fiction novel that follows Brett, a teenager struggling to cope with his adoptive mother's cancer diagnosis while navigating grief, body image concerns, and an eating disorder. Throughout the story, Brett learns that healing begins when he stops carrying his burdens alone and allows others to support him. This storyboard highlights six significant moments in Brett's journey, illustrating his challenges, growth, and movement toward hope and self-acceptance.

Sunday, June 21, 2026

Developing My YA Pedagogy: Reading with Passion, Purpose, and Complexity

 

One of the ideas from Buehler's first two chapters that most challenged my thinking was her argument that we often create a false binary between rigor and engagement. As an ELA teacher, I have long believed that students need opportunities to choose books that interest them and reflect their experiences. However, Buehler pushed me to think more deeply about what happens after students choose those books. She argues that YA literature should not be viewed as simply "fun reading" while classics are reserved for rigorous analysis. Instead, she advocates for a YA pedagogy that combines personal engagement, social interaction, and analytical thinking to help students become more capable and committed readers.

This position resonates strongly with my own experiences as both a reader and a teacher. Like Buehler, I became a lifelong reader because I found books that spoke to my life, interests, and questions. As a teacher, I can see my students engage more deeply when they encounter texts that help them feel seen, understood, and valued. Books such as And Then, Boom!, Messy Perfect, Fighting Words and Look Both Ways often generate richer discussions than texts students perceive as disconnected from their lives. At the same time, Buehler challenged me to reconsider the idea that student engagement alone is enough. She argues that YA literature must be paired with thoughtful instruction that fosters complexity, agency, and autonomy. Students should not simply enjoy books; they should learn to analyze them, discuss them, and connect them to broader questions about identity, society, and the world.

My developing YA pedagogy aligns closely with Buehler's vision of creating a classroom reading community. I believe students need opportunities to read independently, discuss books collaboratively, and see themselves as members of a community of readers. I was especially drawn to her idea that teachers should serve as "book matchmakers" who know both their students and the available literature well enough to connect readers with meaningful texts. As a middle grades teacher, I frequently recommend books based on students' interests, experiences, and reading identities. Buehler's discussion reinforced my belief that these recommendations are not just about increasing reading volume; they are about helping students develop positive reading identities and discover that reading can be both personally meaningful and intellectually challenging.

Another idea that influenced my thinking was Buehler's distinction between finding complexity and making complexity. Too often, complexity is reduced to Lexile levels or text difficulty. Buehler argues that complexity can be found in a text's language, structure, literary devices, themes, and characterization, but it can also be made through the ways readers interact with a text. This perspective resonates with my instructional philosophy because it validates the importance of student response and discussion. When students connect a novel to their own experiences, compare it to another text, or engage in meaningful dialogue with peers, they are creating complexity, not avoiding it. This idea reinforces my commitment to designing learning experiences that blend personal, social, and analytical reading practices.

When considering the distinction between middle grades and YA literature, I see important differences while also recognizing the value of both. Generally, middle grades novels focus on protagonists between the ages of 10 and 14 who are navigating friendships, family relationships, identity development, and the transition toward adolescence. These books often address important issues while maintaining a perspective rooted in younger adolescent experiences. YA literature, on the other hand, tends to feature older protagonists who are grappling with questions about independence, identity, relationships, and their place in the wider world. As Buehler notes, YA literature often centers on the question, "Who am I and what am I going to do about it?" and frequently includes a movement toward greater self-understanding and maturity.

Both middle grades and YA literature absolutely have a place in my developing pedagogy. Because I teach middle school students, many are in the space between these two categories. Some students still strongly connect with middle grades texts, while others are ready for more sophisticated YA themes and perspectives. I want my classroom library to reflect that range. Middle grades literature can provide critical mirrors and windows for younger adolescents, while carefully selected YA literature can challenge students to think more deeply about complex issues and multiple perspectives. Together, they create the "wide landscape for reading" that Buehler describes.

Ultimately, my developing YA pedagogy centers on the belief that reading should be both meaningful and rigorous. I want students to read books that matter to them while also learning how to analyze, discuss, question, and challenge what they read. Buehler's chapters reinforced my belief that student engagement and academic rigor are not competing goals. Instead, they work together to help students develop not only stronger literacy skills but also stronger reading identities. My goal is to create a classroom where students see reading as something that belongs to them—a lifelong practice that helps them better understand themselves, others, and the world around them.

Reference

Buehler, J. (2016). Teaching reading with YA literature: Complex texts, complex lives. National Council of Teachers of English.

Tuesday, June 9, 2026

What Literacy and Adolescent Literature Mean to Me

What Literacy and Adolescent Literature Mean to Me

 Honestly, when I used to think about literacy, I kept it pretty simple—reading and writing. That’s it. But teaching middle school has quickly shown me it’s a lot more than that. Literacy, to me now, is really about making meaning. It’s being able to read something, process it, talk about it, and connect it to something bigger. It’s active.

In my classroom, I see this every day. I have students who can read the words on a page, but when it comes to breaking it down, explaining it, or applying it—they struggle. That’s where literacy really comes in. It’s not just “Can you read this?” but “Do you actually understand what you just read?” This week’s readings really reinforced that for me—that literacy doesn’t just stop after elementary school. Middle school is where it gets real, where students move from “learning to read” to actually reading to learn.

Thinking about And Then…Boom and Song of the Blackbird also made me think about how literacy connects to voice and identity. Both texts go beyond just surface-level reading—they push you to really think, reflect, and feel something. That’s the kind of reading I want for my students. Not just answering questions, but actually engaging with the text. When students can say, “I get this” or “I relate to this,” that’s when literacy becomes meaningful.

For me, adolescent literature is anything that speaks directly to that age group—texts that reflect what middle and high school students are going through. It’s real, relatable, and sometimes a little messy (just like them). From my experience as a reader and a teacher, students are way more engaged when they see themselves in what they’re reading. When the characters sound like them, think like them, or deal with things they understand, they’re more willing to participate and open up.

And I’ve seen it happen—students who don’t want to read will suddenly have opinions, questions, and things to say when the text actually connects to them. That’s why I don’t see adolescent literature as “easy.” It still has rigor, but it makes students care. And when they care, they try.

Overall, I see literacy as the ability to think, understand, and communicate across all content areas—not just ELA. And adolescent literature is one of the main ways we can get students there. It bridges the gap between skill and engagement.

At the end of the day, if my students can read something, understand it, talk about it, and connect it to their own lives—that’s literacy to me.





Reading the World Through Where I Come From

  When I think about “cultural and historical locations,” I initially think about places on a map. The more I sit with the idea, however, th...